All Thomas Eakins's oil paintings

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36060

Samuel Gros-s Operation of Clinical

mk108 1875 Oil on canvas 66x56cm

35993

Scene at Home

mk108 1871 Oil painting 53x45.5cm

95190

Self portrait

1902 (1902) Type Oil on canvas Dimensions 76 cm x 63 cm cyf

3984

Self Portrait hbn

1902 National Academy of Design, New York

27096

Self-Portrait

mk52 1902 Oil on canvas on board 76.2x63.5cm National Academy of Design,New York

36109

Self-Portrait

mk108 1902 Watercolor 76x63.5cm

36066

Seventy yeas ago

mk108 1877 39.5x28cm

88554

Sketch of figure, from two-sided sketch for swimming

oil on paperboard, 5 3/4 x 4 inches Date 1884(1884) cjr

93568

Starting out after Rail

1874(1874) Medium oil on canvas mounted on masonite Dimensions 61.59 x 50.48 cm (24.2 x 19.9 in) cjr

82609

Studies of Game Birds, probably Viginia Rails

Studies of Game Birds, probably Viginia Rails by Thomas Eakins. Oil-on-canvas from c. 1874 cjr

86211

Study for William Rush Carving His Allegorical Figure of the Schuylkill

1876(1876) Medium Oil on canvas cyf

96814

Study for William Rush Carving His Allegorical Figure of the Schuylkill River

1876(1876) Medium oil on canvas cyf

4000

Study of a Girl Head

1868-69 Philadelphia Museum of Art

50488

Swimming

mk212 1885 Oil on canvas 69.7x92.4cm

72888

Taking the Count

"Taking the Count," oil on canvas, by the American artist Thomas Eakins. 96 7/8 in. x 84 5/8 in. Courtesy of the Yale University Art Gallery, Yale University, New Haven, Conn. cjr

74691

Taking the Count

English: "Taking the Count," oil on canvas, by the American artist Thomas Eakins. 96 7/8 in. x 84 5/8 in. Courtesy of the Yale University Art Gallery, Yale University, New Haven, Conn. Date 1898 cyf

56332

the agnew clinic

mk247 1889,oil on canvas,84x118.125 in,213x300 cm,university of pennsylvania,philadelphia,pa usa

82610

The Artist and His Father Hunting Reed Birds

The Artist and His Father Hunting Reed Birds by Thomas Eakins. Oil-on-canvas from c. 1874 cjr

96547

The Artist and His Father Hunting Reed Birds

Oil-on-canvas from c. 1874 cyf

4004

The Artist's Wife and his Setter Dog

The Metropolitan Museum of Art, New York

36080

The Artist-s wife and his dog

mk108 1884-1889 76x58.5cm

36063

The Baby play on the floor

mk108 1876 Oil on canvas 82x122cm

89227

The Biglen Brothers Racing

1873(1873) Medium oil on canvas Dimensions Deutsch: 61 x 91,5 cm cjr

28424

The Biglin Brothers Bacing

c 1873 Oil o canvas 61.2 x 91.6 cm (24 1/8 x 36 1/8 in) National Gallery of Art Washington DC (mk63)

50577

The buddie is rowing the boat

mk212 1872 Oil on canvas 61.3x91.4cm

95068

The Chess Players

1876 Type Oil on wood panel Dimensions 29.8 cm x 42.6 cm cyf

42780

The clinic of dr. Majorities

MK169 1875 oil Paint on cloth 244x198cm

3987

The Concert Singer

1890-92 Philadelphia Museum of Art

36069

The Dance Curriculum

mk108 1878 45.5x57cm

3988

The Dean's Roll Call

1899 Museum of Fine Arts, Boston

95077

The Fairman Rogers Four in Hand

Date 1879-1880 cyf

28429

The Gross Clinic

1875 Oil on canvas 243 x 198.1 cm (95 3/4 x 78 in) Jefferson Medical College Thomas Jefferson University Philadelphia (mk63)

31912

The Gross Clinic

mk77 1875 Oil on canvas 96x78in

40759

The Gross Clinic

mk156 1875 Oil on canvas 244x198cm

58722

The Gross Clinic

The Gross Clinic. According to one prescient reviewer in 1876: This portrait of Dr. Gross is a great work--we know of nothing greater that has ever been executed in America.

35994

The Landscape ofSeville

mk108 1870 Oil painting 184.5x107cm

36075

The Lawn

mk108 1882-1883 81x114.5cm

36104

The Oboe player

mk108 1903x61cm

3997

The Pathetic Song

1881 The Corcoran Museum of Art, Washington DC

36094

The Portrait of Physicists Roland

mk108 1897 Watercolor 201x137cm

36112

The Portrait of Asbury W-Lee

mk108 1905 Watercolor 101x81cm

36114

The Portrait of Helen

mk108 1908 Watercolor 152.7x102cm

36093

The portrait of Henry

mk108 1897 Watercikir 61x51.5cm

36086

The Portrait of Letita Wison Jordan

mk108 1888 Watercolor 152.5x101.5cm

36108

The Portrait of Lin Dun

mk108 1904 Watercolor 61x51.5cm

36103

The Portrait of Martin Cardinals

mk108 1902 Watercolor 199x152cm

36098

The Portrait of Mary

mk108 1899 Watercolor 61x50.8cm

36099

The Portrait of Mary

mk108 1900 Watercolor 61x46cm

36101

The Portrait of Miller

mk108 1901 Watercolor 223.5x111.5cm

36091

The Portrait of Morris

mk108 1896 Watercolor 134.5x91.5cm

36097

The Portrait of Susan

mk108 1899 Watercolor 51x40.5cm

36082

The Portrait of Walt Whitman

mk108 1887-1888 Watercolor 76.5x61.5cm

36107

The Portrait of William

mk108 1903 Watercolor 132x81cm

36111

The Portrait of William

mk108 1904 Watercolor 61x50.8cm

35997

The Professor

mk108 1874 Oil painting 152.5x122cm

36059

The Study of Baseball

kr01 1875 27x33cm

36116

The Study of Nude

mk108 1869 Watercolor 54.5x46cm

37783

The Swiming Hole

sn02 1884-1885 Oil on canvas 27x36inch

58724

The Swimming Hole

The Swimming Hole, 1884-5. Thomas Eakins.

36117

The Veiled Nude-s sitting Position

mk108 1863-1866

36065

The William is Carving his goddiness

mk108 1876-1877 51x66cm

36110

The William is Carving his goddiness

mk108 1908 Watercolor 92.5x123cm

90213

The Wrestlers

1899(1899) Medium oil on canvas Dimensions 48 3/8" x 60" cjr

35998

Two Person Dinghy

mk108 1872 Oil painting 61x91.5cm

50559

Wagon

mk212 1879-80 Oil on canvas 60.3x91.4cm

90214

Weda Cook

1891(1891) Medium oil on canvas Dimensions 24" x 20" cjr

36115

William and his Model

mk108 1908 Watercolor 89.5x120cm

95069

William Rush and His Model

Oil on canvas, 51.1 cm x 66.3 cm cyf

4006

William Rush Carving his Allegorical Figure of the Schuylkill River

1876-77 Philadelphi Museum of Art

71003

William Rush Carving His Allegorical Figure of the Schuylkill River

ca. 1908(1908) Oil on canvas 91.3 x 121.5 cm (35.94 x 47.83 in

72129

William Rush Carving His Allegorical Figure of the Schuylkill River

Date ca. 1908(1908) Medium Oil on canvas Dimensions 91.3 X 121.5 cm (35.94 X 47.83 in) cyf

45383

William Rush schnitzt die allegorische Figur des Schuylkill River

mk181 1877 Ol auf Leinwand,aufgezogen auf Prebpappe 51.1x66.4cm

36102

William-s Wife

mk108 1900 Watercolor 246x183cm

36077

Write Master

mk108 1882 76x87cm

45382

Zwishchen den Runden

mk181 1899 Ol auf Leinwand 127.3x101.3cm

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Thomas Eakins

American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".

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